Working with Tape Loops

Break free from sterile digital perfection with tape loops that transform productions into organic, evolving soundscapes. HAND tape loop wizard and artist from Berlin handpicked the videos. Explore hands-on demonstrations from Hainbach, BlankFor_ms, Amulets, HAND and Alessandro Cortini covering everything from basic cassette loops to advanced sound-on-sound layering and creative tempo manipulation. Dive in to add subtle analog warmth or create deep textures using these accessible tape techniques.

Randall Taylor

Creating analog tape loops with cassettes

Learn how to create analog tape loops using cassette tapes with this hands-on guide. The process involves recording your desired material onto a cassette, disassembling it, cutting the tape, and reassembling it to play as a continuous loop. You'll need basic tools like scissors, a Phillips head screwdriver, and clear tape. Cut the tape to your desired loop length—here 8 5/8 inches (21.9 cm) create a 5-second loop. Ensure you cut at a 90-degree angle to create a seamless crossfade between the start and end of the loop, and maintain the right tension for smooth playback. This technique allows you to explore the unique sound characteristics of tape looping, offering an easy and affordable way to experiment with analog recording techniques. Dive into the world of analog sound and discover new textures for your music without breaking the bank.

Tyler Gilmore

Comparing the sound of 7 tape loop machines, back to back

BlankFor_ms demonstrates the sound of different tape machines from his collection using two different tape loops: a synth pad and a beat. This showcases the character of each machine This explores the creative potential of tape looping to add depth and movement to music.

Reverb.com

4-track cassette mixing: Creating a track with tape loops

Alessandro demonstrates how he transforms Logic sessions into four-track cassette recordings, utilizing EQ and effects like reverb and shimmer for a lo-fi warmth. He emphasizes the flexibility of using a pitch wheel for live performance, allowing for dynamic pitch control and creative experimentation. The arrangement is divided into four distinct tracks: main sequence, melody, bass, and stereo effects. This setup provides Alessandro with the ability to creatively manipulate pitch bends and audio placement, enhancing the overall movement and interest of the sound. He also shares his transition from the Opie one to the OPC, praising their sampling capabilities and integration into his workflow. The use of a UA Ibanez® TS808 Tube Screamer plugin adds drive and character, further enriching the sonic texture.

HAND

Tempo manipulation basics - DIY tape delay

HAND delves into the basics of tempo manipulation using tape loops, focusing on adding character and movement to electronic drum rhythms. Utilizing the Uher Report 4000, HAND demonstrates how tape looping and delay can create more interesting and dynamic soundscapes. The segment includes an analysis of signal records and monitor output, particularly examining speed stacks and delays. The discussion highlights the practical aspects of delayed releases and tempo adjustments in music production, emphasizing the intersection of music quality and physics. For a deeper understanding, viewers are encouraged to watch the video for further insights.

Hainbach

Tape loop tricks: Bypassing the erase head for layering

Hainbach demonstrates the technique of sound on sound using a Nagra tape recorder, focusing on the roles of the erase, write, and read heads. By bypassing the erase head, he creates multiple overlapping signals, adding depth and movement to the sound. He explains how to cut and splice a tape loop using quarter-inch tape, emphasizing the importance of a smooth splice to minimize noise. This setup allows for the creation of a continuous loop that can be layered with new sounds. Hainbach sets up the tape loop in a standard configuration and shows how bypassing the erase head results in a repeated sound, forming a rich, layered soundscape. This technique is ideal for creating more interesting and dynamic synth textures.