3 Ways to Add Excitement with Decapitator

Ready to add some controlled chaos to your drums? 🔥 Here are 3 cool tricks we found from Noam Wallenberg, Eric Valentine and Catherine Marks - Find out how they use Soundtoys Decapitator to inject character and excitement into their mixes.

Reverb.com

Add excitement and character to the drum bus

To enhance the character of a Black Keys-style drum recording, Noam Wallenberg is using a series of processing techniques on the drum bus. The Decapitator is employed to inject aggressive distortion, immediately adding excitement and a sense of controlled chaos to the drum sound. To smooth out transients, the Satin tape emulator is introduced, providing additional distortion and excitement while taming the sharpness of the hits. The Oxford Inflator, though somewhat mysterious in its exact function, is used to enhance dynamics and add mid-range presence, making the drums sound more lively and engaging. Further refinement is achieved with a Distressor to regain attack, followed by a multi-band compressor to balance the frequency surges and maintain control over the dynamic range. Finally, a touch of subtractive EQ with the FabFilter Pro-Q 3 is applied to manage the mid-range, ensuring the drum bus remains balanced and characterful.

Eric Valentine

Create punch with gating and multiband distortion

Eric Valentine creates a punchy and clear kick drum sound using a combination of gating, EQ, compression, and multiband distortion. He starts by gating the inside kick mic with FabFilter Pro-G to ensure tightness and prevent bleed from other drum elements. He then uses the Massenburg MDW5B EQ to high-pass at 270Hz, focusing the inside mic solely on the attack. Valentine adds multiband distortion with FabFilter Saturn, targeting the mids and high mids to enhance the kick's click and presence. Having no distortion in the low-end avoids intermodulation distortion, resulting in a crisp and exciting high-end. The multiband distortion is followed by a Soundtoys Decapitator for additional subtle distortion. For the outside kick mic, he applies similar gating and EQ techniques, scooping out 278Hz and boosting at 40Hz to add weight. By using the same multiband distortion settings on both mics, he maintains phase consistency, ensuring they sum correctly without unwanted cancellations. Finally, he runs the combined signal through a Waves Renaissance Compressor to add punch and smack, achieving a powerful and well-defined kick sound.

SonicScoop

Add excitement with parallel distortion

Catherine Marks uses distortion to add character and excitement to the overall drum mix. First off, there is a Soundtoys Decapitator (in the Neve setting with brightened tone) on the drum bus, giving the drums more character and presence. To this, she adds further distortion on a parallel bus with the Little Radiator, which is kept quite low in level, but yields additional excitement.