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Dive into some unconventional production techniques from DjRUM, Leon Vynehall, Shawn Everett, and Jack Antonoff. Sometimes, the 'wrong' way is exactly what your track needs. Here are 5 creative techniques that'll help you think outside the box and even outside the DAW.
MusicRadar Tech
DjRUM breaks down a flute trill edit in his track Frekm Pt.2, stripped of all effects to expose how rough the actual editing is. Rather than re-recording a longer trill or carefully lining up transients and crossfading every edit, he lets the cut stay crude. With other elements layered in the mix, nobody hears the seams. He points to this as a deliberate choice: blurring the line between a real performance and a digitally stitched one. That uncertainty, whether a sound is played or pieced together, is what he finds genuinely beautiful.
Resident Advisor
Leon Vynehall highlights the creative potential of using guitar pedals for sound manipulation, emphasizing their affordability and ability to add character to your music. By taking your sound out of the digital realm and into the physical world, you can achieve unique and intriguing results that might not be possible with software alone. Vynehall encourages experimentation with these often inexpensive tools, suggesting that they can lead to some of the most interesting sonic outcomes in your production process.