To capture a Black Keys-style drum sound, the setup includes a Ludwig Vistolite kick drum, a Ludwig Black Beauty snare drum, and K dark Zildjian hi-hats. The miking approach is a modified Glyn Johns technique, using three microphones strategically placed to ensure phase alignment and enhance the kick drum's presence while reducing hi-hat bleed.
The overhead mic is positioned in front of the kit to capture more kick drum sound, while the side mic and kick mic follow traditional Glyn Johns placements. This setup is crucial for achieving the desired drum sound, especially with the heavy distortion and compression that gets applied.
To add brightness and energy, reflective panels are used in the live room. By flipping baffles to their reflective side, the drums gain extra liveliness and presence, closely matching the vibrant sound of Patrick Carney's drumming.