Malay demonstrates how to create the sound of a large string section using only five players by employing layering techniques.
He records multiple takes with a small group of string players, moving microphones and players around the room to capture different perspectives and avoid phasing issues. This approach allows him to build a rich, orchestral sound without the need for a full orchestra, making it a cost-effective solution for projects with limited budgets.
By stacking these takes and adding harmonies or different octaves, Malay achieves a full, lush string arrangement. He then uses automation to create a dynamic mix that mimics the feel of a live orchestra, enhancing the illusion of a larger ensemble.