In this reverb masterclass, Richard Furch demonstrates his approach to crafting vocal reverb by de-essing before the reverb stage.
This technique prevents harsh sibilance from cluttering the reverb, allowing only the desired brightness to enhance the vocal space. Furch further refines the reverb by cutting low-mid frequencies with an EQ to avoid muddiness, ensuring a clear and splashy reverb effect.
He emphasizes controlling brightness on the vocal track to achieve a balanced blend, highlighting the importance of a slightly darker reverb compared to the direct vocal sound. This nuanced control helps the reverb complement the vocal without overwhelming it.