George Massenburg explores optimizing kick drum sounds through multi-miking and phase adjustment techniques, using the Audix D6 and U47 FET microphones.
He highlights the importance of mic placement and phase relationships, noting that the Audix D6 provides snap and punch, while the U47 FET adds size and weight to the low end. By adjusting the U47 FET's distance from the kick drum, Massenburg achieves a desirable phase cancellation that enhances the drum's heft.
While phase alignment can be fine-tuned post-recording in a DAW by adjusting time delays between the two mics, Massenburg prefers to achieve this during the recording process. This ensures a powerful and well-defined low end right from the start.