Grammy-winning producer Jacquire King demonstrates how to record pop/rock acoustic guitars using modern microphone techniques. He prefers a large diaphragm condenser mic, like the Mojave MA 200, for a broader top-end range, paired with a characterful mic like the 57 for added grit.
King swaps guitars and mics to fit dense rock mixes, ensuring the acoustic can hold its place amid powerful drums and other instruments. He emphasizes mono recording for flexibility in mixing, allowing for creative rebalancing.
The approach includes using a DI signal, enhanced by the UA 610-B and 1176, to bring presence and stability. King showcases how adding room reverb replicates the feel of a big studio, making the acoustic sound expansive and rich. This method suits a rock context, providing a robust acoustic presence that complements a full band arrangement.