Renowned mixer Richard Furch explores the art of using reverb to add excitement and clarity to vocal tracks.
He prefers plate reverbs over halls for their cleaner midrange and brighter high-end, allowing more control over the reverb's tonal qualities. By starting with a brighter reverb tail, Furch demonstrates how to use high-frequency damping to tailor the sound, ensuring the reverb complements rather than competes with the vocal.
Furch emphasizes the flexibility of subtractive synthesis principles, adapting reverb settings to fit the mix. This approach enables precise placement of the vocal within the soundscape, ultimately enhancing the listening experience.