Jacquire King walks through his use of a UA Sphere DLX as a mono kit mic, positioned close to the kick drum shell to capture a warm, woody tonal quality. Set to emulate a U47, it functions as an overall perspective on the kit rather than a spot mic for any single element.
Heavy high-frequency filtering manages the ride cymbal wash that comes with that close placement, pulling back the brightness so the tonal body of the kit comes through instead. From there, King runs the signal into a Fatso with aggressive compression settings.
The result is not a featured sound in the mix but a blended one - used sparingly to add coherence, shape, and character to the drum picture as a whole.